Its also worth mentioning that all VCO’s are slightly detuned from one another using Fine Tune, to create a warm, thick pad sound. There is some frequency modulation coming from the Noise Generator, which is dialled in using the second slider on VCO 3.
#NEMESIS VST PRESETS PATCH#
VCO 3 is a sawtooth set to Octave 16’, no patch cable is needed as we are using the default pre-patched routing for the 4th Volume Slider on the VCF Mixer. There is some Pulse Width Modulation happening via the Noise Generator, adding random modulation to the Pulse Width. This VCO is an octave lower at 16’, thickening up the sound.
VCO 2 is a Pulse patched into the 3rd Audio Input on the VCF Mixer. Try opening up Slider 3 to hear this working more intensely. This adds a little detuned movement to the pitch of this oscillator. The VCO is set to 8’ Octave with a touch of ADSR dialled in to modulate VCO Frequency using the 3rd Slider. VCO 1 is a Sawtooth as you can see from the patch cable from VCO1 Saw to the second Audio Input on the VCF Mixer. Filter, Resonance, Decay and LFO Modulation can easily be tweaked using the Four Macros at the bottom right corner of ARP 2600 V.
#NEMESIS VST PRESETS DOWNLOAD#
You can download 10 FREE Audiotent – Nemesis presets, including the one we will cover today. Key sound design elements to take away from this patch are Pulse width modulation, 3 oscillator detune and modwheel assignment. This time around we will be creating a vintage pad sound.
In this step-by-step tutorial, we will deconstruct another 1 of the 107 presets included in the Audiotent – Nemesis (Arturia ARP 2600) preset library.
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